Alabama Contemporary Art Center: DIFFERENT / FIT EUGENICS IN ALABAMA, 1919-1935
Jan 01, 1970
FEATURING NEW WORK BY MERRILEE CHALLISS, CAREY FOUNTAIN, AND CHRIS LAWSON
The underlying violence of disenfranchisement is a lack of visibility. When we talk about societies ‘most vulnerable’ we are talking about a complex and wildly diverse population out of sight. The power of art in this context might be to drag light into a dark room, or to
The underlying violence of disenfranchisement is a lack of visibility. When we talk about societies ‘most vulnerable’ we are talking about a complex and wildly diverse population out of sight. The power of art in this context might be to drag light into a dark room, or to